Maris Piper

(2005) Performance, Deutzer Bruecke, Cologne.

GRAHAM MAULE


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Trying tripartite ritual structuring, in both phase and physicality are spotted in industrial luminance, with harsh, long and deep shadow. Em… (reluctant)… bedded beginning arises from tubers, pierced by domestic grid-ation. The part that is devotedly mine, a miner, carrying his own light on and in his head. A digger, dug out of his slumber, projected into displaced redundancy, pursues an enforced hirpling, plodding, pilgrimage hereafter. From strangely familiar subsistence, next more boxes to tick – here central passage, streamlined into grid-locked, anonymous, human-frame-processing machination. Of course, there is the song of homing, of the journey, of there. The messages to be delivered, to be found in the store. The final aggregate could be the blues of containment, singing, suffocating through the walls, filtering, fining, finishing is all-encompassing at every point of the flattened, linear globe. Or in the dark when the lights go out, fateful survival, fatal desire or remembered repose, a repository of dreams?